Jewison still produced the film, which was eventually made under Australian director Fred Schepisi. Iceman was a project linked to director Norman Jewison for several years in the 1970s. Shephard's initial horror turns into joy, as he realizes that Charlie has reached his "dreamwalk" goal that he began 40,000 years earlier, even though it means his death.
He releases his grip, seeming to float through the sky while he plunges to his death. Charlie is ecstatic, believing the "messenger" is taking him to his god. In an attempt to evade Charlie's grasp, the helicopter pilot pulls up, but Charlie dangles beneath the aircraft while it continues to climb high into the sky. When the helicopter emerges over an ice-shelf, Shephard looks on helplessly as Charlie grabs hold of one of its landing skis. Charlie races on ahead of Shephard as they pass by glaciers and ice-shelves, and a crevasse opens up in front of Shephard, cutting him off from Charlie. However, Shephard helps Charlie to escape into the wild. In a panic of seeing unfamiliar modern devices, and believing they are his enemies, he accidentally spears Maynard, one of the base's technicians, before being recaptured and Shephard's experiment is put to an end. His people were dying in the sudden ice age he must have offered himself to the gods in the form of a self-sacrifice or appealing to the gods to redeem his tribe.Ĭharlie escapes after watching Shephard exit the biosphere. Shephard understands that Charlie has a spiritual side and that he was on a dreamwalk pilgrimage, a mythical quest for redemption.
Shephard consults local Inuit who recognize the name that Charlie chanted and explain that it is a mythical bird, a messenger for the gods. Even though the helicopter pulls away from the dome, Shephard knows that Charlie can now think of nothing else. Shouting the word Beedha, he lifts his arms towards the helicopter in a sign of worship. When the base's helicopter strays over the roof of Charlie's area, he takes on an obsessive zeal as he climbs towards the roof. Charlie's line drawings in the ground resemble a bird, matching body markings on his chest. At one point, Shephard begins to sing " Heart of Gold", inspiring Charlie to sing one of his own songs. Shephard strives to understand what motivates Charlie and why he survived being frozen. Assuming that the woman is Shephard's mate, Charlie makes chalk marks which indicate that he likely was a married man with children before he was frozen.
Shephard introduces Charlie to colleague Dr. Shephard and Charlie bond, but it becomes obvious to the anthropologist that Charlie misses his world.Ī linguist is brought to the Arctic base, and the scientists make progress communicating with Charlie. Shephard names him "Charlie" after the iceman introduces himself as "Char-u". Despite opposition from the others, Shephard initiates an encounter with the caveman. Shephard defends the caveman's right to be considered a human being and not a scientific specimen. Other scientists see the potential in studying the caveman's DNA and his survival in the ice, for possible "freezing" of the sick until treatment is possible. Shephard believes that the caveman's culture may provide clues to learning about the human body's adaptability, citing ceremonies such as firewalking. The scientists place the iceman in an artificial, simulated environment for study, though the caveman quickly deduces that he is far from home. The dazed caveman is alarmed by the surgical-masked figures only Shephard has the presence of mind to remove his mask and reveal his humanity and somewhat familiar (bearded) face, permitting the iceman to settle into a peaceful recuperating sleep. After thawing the body to perform an autopsy, scientists first attempt – and succeed – to resuscitate the "iceman". Anthropologist Stanley Shephard is brought to an arctic base when explorers discover the body of a prehistoric man who has been frozen for 40,000 years.
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